Turner frequently painted scenes of contemporary life and was particularly interested in industry and technology. According to the artist George Leslie, who as a boy had watched Turner putting the final touches to the painting the day before it went on public exhibition in 1844, the hare, not the train, was meant to represent speed. The man in... As with many of Turner’s paintings that were never exhibited in his lifetime the title of this picture was not his choice, but was decided on some 50 years later. A window to life . Photograph: Print Collector/Getty Images . after Turner. Unsere Leinwandbilder des Motives „Rain Steam and Speed, The Great Western Railway, painted before 1844“ werden mit Highend-Digital-Druckern (Canon iPF 9400) auf einem hochwertigen Leinwandgewebe gedruckt. "Rain, Steam, and Speed" states emphatically that a railroad train crossing a bridge is beautiful. The thrilling essence of speed was an innovative factor of life, with the power to alter our emotions of nature, while the steam of the locomotive provided a groundbreaking atmospheric scenery. Three white puffs of steam released by the engine into the air indicate that the train is in motion. [6] However, the train and bridge, the solid elements of the painting, are barely hinted at, disappearing into the hazy and unreal atmosphere. The water is rough and dark storm clouds gather, although a shaft of sunlight breaks through to illumina... Turner’s painting of the North African city of Carthage, founded by Dido, its first queen, was inspired by Virgil’s epic poem, the Aeneid. JMW Turner – “Rain, Steam, And Speed” (1844) Posted on September 29, 2020 Author Ian Categories Art Tags JMW Turner. Menu. Rain, Steam and Speed – The Great Western Railway. It shows Ulysses sailing from the island where Polyphemus, a one-eyed giant, had held him and his men captive. The train in the center is dark and rain-shrouded, surrounded by a golden natural landscape on both sides. Home; About; Let´s go. The Burning of the Houses of Lords and Commons, The Fighting Temeraire Tugged to Her Last Berth, Snow Storm: Steam-Boat off a Harbour's Mouth, Rain, Steam and Speed – The Great Western Railway, https://en.wikipedia.org/w/index.php?title=Rain,_Steam_and_Speed_–_The_Great_Western_Railway&oldid=1000619366, Collections of the National Gallery, London, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 January 2021, at 22:47. As in The Fighting Temeraire, Turner contrasts the pre-industrial with the modern. Die Drucke bestechen durch feinste Farbnuancen, großen Farbraum und UV-Beständigkeit. Some people enjoy a meal. [5] Other interpretations say that at the left of the painting, Turner features a second stone bridge that serves as an analogue to the bridge in Apullia and Appullus of 1814, emphasizing that both principal structural elements have been pushed to the edges of the canvas.[14]. [2] Others believe the animal is running in fear of the new machinery and Turner meant to hint at the danger of man's new technology destroying the sublime elements of nature. No hare was likely to outpace any locomotive of this period and in Rain, Steam, and Speed, we experience an exhilarating feeling as the poor hare will surely be crushed in an instant. [2] The painting combines the power of nature and technology to create an emotional tension associated with the concept of the sublime. Christina Bradstreet talks on J. M. W. Turner's 'Rain, Steam, and Speed - The Great Western Railway', painted in 1844. [7], Turner frequently created an atmospheric tonality in his artistic creations by spreading the paint in short, broad brushstrokes from a filthy palette onto the canvas and gradually drawing forms out of his color ground. Joseph Mallord William Turner, Rain, Steam, and Speed -- The Great Western Railway, oil on canvas, 1844 (National Gallery, London) Speakers: Dr. Beth Harris, Dr. Steven Zucker Rain, Steam, and Speed -- The Great Western Railway was exhibited at the Royal Academy in 1844. [8] To illustrate the rain, he dabbed dirty putty on to the canvas with a trowel, whereas the sunshine scintillates out of thick, smeary chunks of chrome yellow. Required fields are marked * Comment. Jam Sessions with a lot of analog gear. The Cbus Collection of Australian Art website is an online version of a comprehensive catalogue documenting the Collection published in 2009. A steam train speeds along a bridge (probably Maidenhead Bridge over the Thames) whilst a vortex of rain swirls around it. https://twitter.com/faze_raincs https://www.facebook.com/csgorain Choose your favorite rain steam and speed tapestries from thousands of available designs. Wilde, Robert. We are temporarily closed. Designed by Isambard Kingdom Brunel, the bridge was completed in 1838. Average engine speed on the Great Western Railway (GWR) in 1844 was 33 mph, but on long level stretches, such as the Maidenhead Viaduct, an unprecedented 60 mph could be reached – faster than any galloping horse. Let’s do another one: ‘I spy with my little eye… a farmer.’ The farmer Yes, you are heading in the right direction. "The Railways in the Industrial Revolution." We are looking east towards London as the train heads to the west. Turner’s painting illustrates an oncoming train in the countryside during a summer rainstorm. Turner, Rain, Steam and Speed: The Great Western Railway, 1844 (National Gallery, London) Inigo Thomas reconsiders J.M.W. [7] In the interior of the train, Turner depicted a crowd of waving figures that served as a reminder that the railway was a festive and popular entertainment. Post navigation. A steam engine comes towards us as it crosses the Maidenhead Railway Bridge in the rain. The engine, of the ‘Firefly’ class, pulls a train of unroofed open-goods wagons in which passengers, paying the cheapest rates, could travel. Born just before the steam engine was … Here he uses the exaggeratedly abrupt foreshortening of the viaduct, which our eye follows to the horizon, to suggest the speed with which the train bursts into view through the rain. It is as if the steam train and the hare are racing each other. The exaggeratedly abrupt foreshortening of the viaduct, which our eye follows to the horizon, suggests the speed with which the train bursts into view through the rain. Artwork page for ‘Rain, Steam, and Speed, engraved by R. Brandard’, after Joseph Mallord William Turner, published 1859–61 Turner’s painting, reproduced in this engraving, seems to summarise modernity for Turner’s generation. Turner further emphasises the theme of speed by including two small details. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. [5][13], Some people interpret this painting as analogous to that of the The Fighting Téméraire, since there seems to be a transition from the past towards the future as the train speeds towards us. [8], This celebrated picture demonstrates Turner’s commitment to classical landscape, as well as his passion for experimentation and interest in the modern world. This picture illustrates an ancient Greek myth that was retold by later writers, including the English romantic poet, Lord Byron. It depicts the Maidenhead Railway Bridge (completed (1838) looking east, across the River Thames between Taplow and Maidenhead. Bring back the memories. The location of the painting is widely accepted as Maidenhead Railway Bridge, across the River Thames between Taplow and Maidenhead. Even if Turner had not travelled on this line, he would have known contemporary engravings of trains moving diagonally and at speed through the landscape. JMW Turner, Rain, Steam and Speed – The Great Western Railway, 1844, detail. October 11, 2016 ~ jfaweb ~ 1 Comment. The scene in Rain, Steam and Speed is of an imminent death, the instant of an action caught by a glance. Es befindet sich heute in der Sammlung der National Gallery in London . Video is shot in between Hamburg and Berlin. On the river on the left, you can see a small boat and, barely visible near the right edge of the picture, a man drives a horse-drawn plough. Yes, there it is: a hare running in front of the train. [5] Additionally, Turner used cool tones of crimson lake to illustrate the shadows and, even though the fire in the steam-engine appears to be red, it is most likely painted with cobalt and pea-green. In the bottom right of the painting, a hare runs along the track. Previous Previous post: Roman Mosaic Discovered Under A Vineyard. Rain, Steam and Speed The Great Western Railway before 1844 Oil on canvas, 91 x 122 cm National Gallery, London : While in the 'Fighting Temeraire' Turner seemed to deplore the Industrial Revolution, his attitude in this, one of his last great works, is much more ambiguous. [10] Turner was not painting a factual view of the Great Western Railway, but rather an allegory of the powers of nature and technology. [5] It is said that Turner, playing on the idea of an animal chase, intentionally chose to depict the type of engine that is called Greyhound. $3.95 . The hare isn’t immediately obvious because it is partially obscured by the driving rain. As he often used new forms of transport, including steam trains, it is unlikely that the painting is a rejection of modernity. A window to life. Instead, he saw both the train and the bridge as subjects worthy of being painted. Having journeyed all over England and … Turner lightly … Turner lightly brushed in a hare roughly midway along the rail track to represent the speed of the natural world in contrast to the mechanised speed of the engine. [5] The view is looking east towards London. Turner had previously used this type of diagonal recession with great effect – for example, in the dramatically foreshortened perspective of Westminster Bridge in The Burning of the Houses of Lords and Commons (1835, Philadelphia Museum of Art). Turner’s Rain, Steam and Speed – The Great Western Railway. The Great Western Railway (GWR) was one of a number of private British railway companies created to develop the new means of transport. Designed by Isambard Kingdom Brunel, the bridge was completed in 1838. This human activity contrasts with the stillness of the glassy sea which, like a mirror, reflects the hazy sunlight. A cross-channel ferry (a packet), fully laden with passengers and flying a British flag, is approaching the port of Calais. The subject of this painting is taken from Book IX of Homer’s Odyssey. On seeing Rain, Steam and Speed at the Royal Academy, she claimed the passenger must have been Turner. In this artwork, Turner managed to give us an impression of great speed in a static painting, an attribute that made him stand out from other artists. The painting was first exhibited at the Royal Academy in 1844, though it may have been painted earlier. Playing for FaZe. Leave a Reply Cancel reply. Das Gemälde wurde zuerst 1844 in der Royal Academy ausgestellt. In fact, he had used these symbols in previous works. It’s widely assumed, though it’s not absolutely certain, that the painting shows the Great Western Railway at Maidenhead Railway Bridge, the extraordinary crossing of the River Taplow designed by the GWR’s chief engineer Isambard Kingdom Brunel. The animal is now invisible as the paint has become transparent with age, but it can be seen in an 1859 engraving of the painting. [2] In the lower-left corner of the painting, we can see a little person on a boat, making evident that the bridge is constructed on top of a river. This detail expresses the idea of speed, as the puffs are progressively left behind. The figure on the left dressed in blue and wearing a diadem is Dido herself, visiting the tomb that is being built for her dead husband, Sychaeus. [9] The painting is interpreted as a celebration of travel and new technological power, with the railways representing the convergence of technology and natural forces. Jahrhundert. Thomas asks: "chasing after hares is as old as any ancient rite, but who or what is hunting the hare … Walther, Ingo F., Suckale, Robert, and Eschenburg, Barbara. The publication is available in State, public and gallery libraries in all states of Australia. Rain, Steam and Speed – the Great Western Railway ( Regen, Dampf und Geschwindigkeit – die Great Western Railway) ist ein Ölgemälde des englischen Malers William Turner (1775–1851) aus dem 19. Designed by Isambard Kingdom Brunel, the viaduct was completed In 1838 and in use from July 1839. In contrast to many of Turner’s paintings – often full of activity, grand architectural settings, dramatic weather and dazzling effects of colour and light – this painting looks almost empty. Das Kunstwerk Rain Steam and Speed, The Great Western Railway, painted before 1844 - Joseph Mallord William Turner liefern wir als Kunstdruck auf Leinwand, Poster, Dibondbild oder auf edelstem Büttenpapier. The bridge is the Maidenhead Viaduct, which crosses the Thames between Taplow and Maidenhead on the newly laid Great Western line to Bristol and Exeter. Even the hare (a pair of clarinets) makes a playful appearance. It depicts the Maidenhead Railway Bridge (completed 1838) looking east, across the River Thames between Taplow and Maidenhead. Help keep us free by making a donation today. Turner’s painting illustrates an oncoming train in the countryside during a summer rainstorm. ThoughtCo, Aug. 27, 2020, thoughtco.com/railways-in-the-industrial-revolution-1221650. Rain, Steam and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. The engine he selected for his painting was the most advanced type of locomotive of the day, known as the "Firefly Class"; and the bridge it is crossing at Maidenhead was a masterpiece of engineering by the greatest bridge - builder of his time, Isambard Kingdom Brunel. I have lost my mind. These engravings may have given him the idea for a railway painting based upon the principles of perspective he had taught himself through his study of Poussin and Claude, and which he had included in his lectures as Professor of Perspective at the Royal Academy. Sie bestimmen die Größen selbst. Your email address will not be published. Rain, Steam, and Speed — The Great Western Railway was exhibited at the Royal Academy in 1844. Aufgespannt werden Sie in Handarbeit auf echte Keilrahmen. Now you are getting close; keep searching. Around it, small French fishing boats (‘poissards’) head out to sea. Sign up to our emails for updates. We are looking east towards London as the train heads towards the west of England. [4] Turner seemed to be a generation ahead of other artists, as he was among the few painters at the time to consider industrial advancement as a commendable subject of art. A steam engine comes towards us as it crosses the Maidenhead Railway Bridge in the rain. In the lower-left corner of the painting, … The location of the painting is widely accepted as Maidenhead Railway Bridge, across the River Thames between Taplow and Maidenhead; a place that Turner had been exploring for over thirty years. [i] It is now in the collection of the National Gallery, London. Let´s go ride somewhere. October 12, 2016 ~ jfaweb ~ Leave a comment. Turner, 1844. I have lost my mind. The art historian John Gage observed: ‘the title of the picture makes clear that Turner was painting not a view of the Great Western Railway, but an allegory of the forces of nature.’ These forces of nature include the rain, which falls steadily but not so heavily as to entirely obscure the view or the gleams of sunlight that fall on the woods and fields either side of the bridge. In the 1810s, in Battle Abbey; the Spot Where Harold Fell, and later in 1837, in the Apollo and Daphne, he portrayed this detail of a hare being chased. The Great Western began running trains from 1838. You must agree to the Creative Commons terms and conditions to download this image. The train in the center is dark and rain-shrouded, surrounded by a golden natural landscape on both sides. J.M.W. [2] The painting suggests that modern technology is a reality racing towards us.[2]. We cannot be certain if this picture was inspired by a recent journey, or if he had travelled on this stretch of track. Hero, a priestess of Aphrodite, lived in a tower on the Hellespont strait, which separates Europe from Asia. This is part of our 'Talks for All' series. The image file is 800 pixels on the longest side. A steam engine rushes towards us as it speeds along a bridge through the rain. The 1840s was a period of ‘railway mania’, and by 1844 the GWR had already constructed over 100 miles of line, which Turner could have travelled on during the previous six or seven years. A train rushes across a bridge and is bearing down on a hare that’s running over the washed-brown bed of a railway track. Rain, Steam and Speed Art brought to life. [10] These elements create an emotional tension associated with the overwhelming power of the sublime. Rain, Steam and Speed J.M.W. Both the boat and the plough are examples of relatively slow, non-mechanised activity. The only figure is a barely visible young boy with a shrimping net over his shoulder, who wades in from t... Turner’s painting shows the final journey of the Temeraire, as the ship is towed from Sheerness in Kent along the river Thames to Rotherhithe in south-east London, where it was to be scrapped. Turner’s Rain, Steam and Speed: The Great Western Railway (1844). This image is licensed for non-commercial use under a Creative Commons agreement. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Ahead of the train runs a tiny hare, a traditional, natural emblem … We are looking east towards London as the train heads to the west. Rain, Steam and Speed was first displayed in 1844 (hence its attributed date) but it might have been painted a little earlier. The painting was painted close to the end of the Industrial Revolution, which brought a massive shift from an agrarian economy to one dominated my machine manufacturing in the Victorian Era. The Great Western Railway (GWR) was one of a number of private British railway companies created to develop the new means of transport. Become a member and get it free. [5] Additionally, both paintings create a contrast between technology and the beautiful, peaceful landscape. Speed is most obviously embodied by the train itself, but Turner included another detail – a hare, running along the track ahead of it. October 12, 2016 October 12, 2016 ~ jfaweb ~ Leave a comment. Download a low-resolution copy of this image for personal use. [5] Structurally, the picture has a balanced arrangement of forms with its firm geometrical elements. Well done. [12] Turner considered both hound and hare as the most characteristic emblems of speed, in which the hare does everything in its power to stay safe from the predator who chases it at double the speed. The exaggeratedly abrupt foreshortening of the viaduct, which our eye follows to the horizon, suggests the speed with which the train bursts into view through the rain. The arched bridge on the left is Taylor’s road bridge, built in the 1770s. The Burning of the Houses of Lords and Commons, More paintings by Joseph Mallord William Turner, Bridge of Sighs, Ducal Palace and Custom House, Venice: Canaletti Painting, Dutch Boats in a Gale ('The Bridgewater Sea Piece'), The Dogano, San Giorgio, Citella, from the Steps of the Europa, Ulysses deriding Polyphemus - Homer's Odyssey, Research, private study, or for internal circulation within an educational organisation (such as a school, college or university), Non-profit publications, personal websites, blogs, and social media. Rain, Steam and Speed - The Great Western Railway, William Turner, 1844 A late addition, the hare was lightly brushed on top of the existing paint, roughly midway along the rail track, and is now invisible because the paint has become transparent with age. [5] Some think this is a reference to the limits of technology. The mist rising from the water, the rain that veils the sky, and the steam from the locomotive are blurred and mixed, unifying the painting's colors. Steam is represented by the three small puffs emerging from the engine’s funnel – in 1844 engines did not produce the great clouds of steam often associated with steam locomotives. It is low tide in the early morning and fishermen unload their catch from a boat beached high and dry on the shore. Who will win? [5], A hare runs along the track in the bottom right of the painting, possibly symbolizing speed itself. [3] The railway was among the most potent symbols of industrialization, since this new way of transportation heavily affected industrial and social life. In writing Rain, Steam and Speed, rather than follow a programmatic development of the title I have tried to convey a feeling of wide open spaces and pastoral repose in the opening section. However, the train and bridge, the solid elements of the painting, are barely hinted at, disappearing into the hazy and unreal atmosphere. The mist rising from the water, the rain that veils the sky, and the steam from the locomotive are blurred and mixed, unifying the painting's colors. Buy. Others prepare the catch for sale. The bridge opened in … However, in an account told to the critic John Ruskin, Jane O’Meara (later Mrs John Smith) related how, as a young woman aged eighteen, she had been travelling to London on that line during a stormy night in June 1843. All tapestries ship within 48 hours and include a 30-day money-back guarantee. [2] In the center of the painting and the upper right, Turner used thick impasto with a palette knife. The bridge was designed by Isambard Kingdom Brunel and completed in 1838. The first, and nearest to the engine is the most distinct puff, while the other two gradually disappear in the horizon. It can be seen in an 1859 engraving of the painting by Robert Brandard, who specifically sought to clarify details in the painting. So slight it could almost be an accident in the turmoil of colour and oil, racing across the wingspan of the bridge into the present – a flick of a hare. Turner further accentuates this effect by reducing the double rail track across the bridge to a single narrow line. Rain, Steam, and Speed - The Great Western Railway. Name * Email * Website. A fellow passenger – ‘with the most wonderful eyes’ – had leaned out of the train window for almost ten minutes when the train had come to a halt at Bristol during the storm. Turner.[1]. 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